Shownotes: S1E4 (Bonus) Blood Thread and Lockdown

Visualising Menstruation is written, hosted, edited and produced by Dr Bee Hughes.

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Find out more about Bee at www.beehughes.co.uk and https://profiles.ljmu.ac.uk/6304-bee-hughes

The Visualising Menstruation project is supported by LJMU Faculty of Society + Culture funding.

The Artists Residency and Blood Lines project discussed in this episode were funded by a Diversity and Inclusion Grant from the University of St Andrews. Bee’s residency was hosted jointly by the St Andrews Centre for Contemporary Art and Institute of Gender Studies.

Artists and Artworks

Catherine Spencer, Camilla Mørk Røstvik and Bee Hughes Blood Lines: Researching Menstrual Histories During a Pandemic https://centreforcontemporaryart.wp.st-andrews.ac.uk/2021/02/17/blood-lines-researching-menstrual-histories-during-a-pandemic/

Judy Chicago Red Flag: https://judychicago.com/gallery/early-feminist/ef-artwork/

Maki Idemitsy What a Woman Made: https://makoidemitsu.com/work/what-a-woman-made/?lang=en

Joana Vasconcelos A Noiva http://joanavasconcelos.com/en/artwork/bride

Jay Critchley Miss Tampon Liberty (St Andrews performance) https://centreforcontemporaryart.wp.st-andrews.ac.uk/2023/05/19/performance-jay-critchley-miss-tampon-liberty-may-26-2023/

Bee Hughes Cycles https://www.beehughes.co.uk/selectedworks

Casey Jenkins Casting Off My Womb https://casey-jenkins.com/works/casting-off-my-womb/

Christen Clifford I Want Your Blood: A Menstrual Symphony https://1wantyour3lood.tumblr.com/

Yves Klein Anthropometries and Monotone Symphony https://www.tate.org.uk/art/artists/yves-klein-1418/yves-klein-anthropometries

Eleanor Antin Carving: A Traditional Sculpture https://www.moma.org/artists/8183-eleanor-antin

 

References

Acker, K (2006) Bodies of Work: Essays, London: Serpent’s Tail [first pub. 1993]

Bildhauer, B. (2005) The Secrets of Women (c. 1300): A Medieval Perspective on Menstruation, in G Howie & A Shail (eds) Menstruation: A Cultural History, Basingstoke: Palgrave Macmillan

Bildhauer, B (2006) Blood in Medieval Cultures, History Compass, 4(6), 1049-1059,
DOI: 10.1111/j.1478-0542.2006.00365.x

Bildhauer, B (2013) Medieval European Conceptions of Blood: Truth and Human Integrity, Journal of the Royal Anthropological Institute, 19(S1), S57-S76, DOI: 10.1111/1467-9655.12016

Bildhauer, B. & Røstvik, C. M. & Vostral, S. L., (2022) “Introduction: The Period Products (Free Provision) (Scotland) Act 2021 in the Context of Menstrual Politics and History”, Open Library of Humanities 8(1). doi: https://doi.org/10.16995/olh.8159

Bobel, C. (2010) New Blood: Third-Wave Feminism and the Politics of Menstruation, New Jersey and London: Rutgers University Press

European Commission, Directorate-General for Education, Youth, Sport and Culture, (2016) Policy handbook on artists' residencies: European agenda for culture: work plan for culture 2011-2014. Luxembourg: EU Publications Office
Available at: https://data.europa.eu/doi/10.2766/199924

Green-Cole, R. (2015b) Bloody Women Artists, The Occasional Journal: Love Feminisms, November 2015, Available at: http://enjoy.org.nz/publishing/theoccasional-journal/love-feminisms/text-bloody-women-artists#article

Hanley, J & Wooster, A (1993) The First Generation: Women and Video, 1970 – 1975, Exhibition Catalogue, New York: Independent Curators Incorporated

Harding, J. M. (2001) The Simplest Surrealist Act: Valerie Solanas and the (Re)Assertion of Avantgarde Priorities, The Drama Review, 45(4) (T172), 142-162, DOI: 10.1162/105420401772990388

Hughes, B. (2018) Challenging Menstrual Norms in Online Medical Advice: Deconstructing Stigma through Entangled Art Practice, Feminist Encounters: A Journal of Critical Studies in Culture and Politics 2(2), 15 pages

Hughes, B. (2020) Performing Periods: Challenging Menstrual Normativity Through Art Practice, Doctoral Thesis, Liverpool John Moores University

Hughes B. (2022) Expanding menstrual normativity: Artistic interventions in the representation of menstruation, E. Rees (ed) The Routledge Companion to Gender, Sexuality and Culture, Routledge, pp. 130-144 

Hughes, B., Røstvik, C.M. & Spencer, C. (2021) Blood Lines: Researching Menstrual Histories during a pandemic, Blog, St Andrews Centre for Contemporary Art, 17 February 2021, Available at: https://centreforcontemporaryart.wp.st-andrews.ac.uk/2021/02/17/blood-lines-researching-menstrual-histories-during-a-pandemic/ [Accessed 18 July 2022]

Jenkins, C (date unknown) Casting off My Womb, Casey-Jenkins, Available at:
https://casey-jenkins.com/works/casting-off-my-womb/ [Accessed 2 January 2020]

Jonquet, F (2004) Intimate Conversations with Gilbert & George, London & New York: Phaidon

Kuri, JF (ed) (2003) Brion Gysin: Tuning in to the Multimedia Age, London: Thames & Hudson

Johnstone, F. (2021) Collaborations between artists and academics, Working Knowledge, Durham University. Available: https://hearingthevoice.org/wp-content/uploads/2021/01/Johnstone_Collaborations_Academics_Artists.pdf

Johnston-Robledo, I. & Chrisler, J. C. (2011) The Menstrual Mark: Menstruation as Social Stigma, Sex Roles, 68, 9–18, DOI: 10.1007/s11199-011-0052-z

Jones, A (1995) ‘Clothes Make the Man': The Male Artist as a Performative Function, Oxford Art Journal, 18(2), 18-31

Pripas, S (2016) Coat Hangers and Knitting Needles: A Brief History of Self-Induced Abortion, Nursing Clio, 10 March 2016, Available at: https://nursingclio.org/2016/03/10/coat-hangers-and-knitting-needles-abrief-history-of-self-induced-abortion/ [Accessed 25 October 2019]

Rees, E. L. (2015) Vagina: A Literary and Cultural History, Paperback Edition, New York, London, Oxford, New Delhi, Sydney: Bloomsbury Academic

Røstvik, CM (2019b) Blood Works: Judy Chicago and Menstrual Art Since 1970, Oxford Art Journal, kcz021, DOI: 10.1093/oxartj/kcz021

Røstvik, C. M., Hughes, B. & Spencer, C. (2022) The Red Gown: Reflections on the In/Visibility of Menstruation in Scotland, Open Library of Humanities 8(1) doi: https://doi.org/10.16995/olh.6340

Shvartz, A. (2011) Figuration and Failure, Pedagogy and Performance: Reflections

Three Years Later, Women & Performance: A Journal of Feminist Theory, 21(1), 155-162 DOI: 10.1080/0740770X.2011.563047

Bee Hughes